Until 484 BC the Athenian drama competitions consisted of a trilogy of dithyrambs and a satyr play. Their style of presentation was choral rather than dramatic. However, around 484 BC there appeared on the Athenian theatre scene a playwright named Aeschylus.
Aeschylus turned the dithyramb into drama. He added a second actor (the antagonist) to interact with the first. Heintroduced props and scenery and reduced the chorus from 50 to 12. Aeschylus' Persians, written in 472 BC, is the earliest play in existence.
Aeschylus' crowning work was the Oresteia, a trilogy of tragedies first performed in 458 BC. They tell the legend of Agamemnon, the Greek war hero who was murdered by his wife Clytemnestra, and the pursuit of justice by his children, Orestes and Electra. Thematically, the trilogy is about the tragedy of excessive human pride, arrogance or hubris.
This hubris is required to murder a person for personal gain, as Clytemnestra and her lover Aegisthus do, as well as the hubris to in turn hunt down and kill them, as Orestes and Electra do. In the end, the Furies, vengeful emissaries of the gods, themselves bring Orestes and Electra to trial.
Aeschylus makes a point that has been echoed by historians and dramatists, psychologists and crime writers for centuries since: that the root of evil and suffering is usually human arrogance. On a dramatic level, the plays convey the suffering of a family torn apart by patricide and matricide.
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