An essential part of the rites of Dionysus was the Dithyramb. The word means 'choric hymn'. This chant or hymn was probably introduced into Greece early accompanied by mimic gestures and, probably, music.
It began as a part of a purely religious ceremony, like a hymn in the middle of a mass describing the adventures of Dionysus. In its earliest form it was lead off by the leader of a band of revelers, a group of dancers, probably dressed as satyrs dancing around an altar.
It was probably performed by a chorus of about fifty men dressed as satyrs - mythological half -human, half - goat servants of Dionysus. They may have played drums, lyres and flutes, and chanted as they danced around an effigy of Dionysus. Some accounts say they also wore phallus -like headgear. It was given a regular form and raised to the rank of artistic poetry in about 600 BC.
Introduced into Athens shortly before 500 BC, dithyramb was soon recognised as one of the competitive subjects at the various Athenian festivals. For more than a generation after its introduction the dithyramb attracted the most famous poets of the day.
By this time, however, it had ceased to concern itself exclusively with the adventures of Dionysus and begun to choose its subjects from all periods of Greek mythology. In this way, over time the dithyramb would evolve into stories in 'play' form: drama.
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